What To Expect When You’re Expecting A Book

I read an interesting article about authors and the myths about them and it got me thinking. You see, I’ve believed those myths for the longest time. Things like, an established author has all the time in the world and would be more than happy to help an aspiring writer get a foot in the door. Or, published authors have an “in” with publishers/agents/editors and if I can just find one willing to read my magnificent work of art, they can help get it in the right hands.

You can read the entire article here. I caution you that it is not an easy read. It bursts a lot of dream bubbles which aspiring writers (I among them) have. If I had read this earlier on, I might not have believed it. I was so ready to  believe that authors had it made, that life for them was a dream come true, just travelling, writing, and enjoying life while the rest of us slaved away in unsatisfying day jobs.

So what changed that? It wasn’t the fantastic event of getting published and waking up the next morning still in need of a day job. No, it was a couple of years before that…

It was a bright, sunny day and my parents and I were taking my uncle (visiting from Europe) to see Alcatraz. It just so happened that there was an author there signing copies of her autobiography. Naturally, my mom, being the helpful soul she is, decided I should talk to her, see if the author had some tips for a writer just starting out. So she bought a copy of the book and we stood in line to get it signed. When it came to be our turn, I handed the book over to the author while my mom pointed to me and proudly exclaimed, “She wants to be a writer too.” The author gave my naively smiling face a sour look, scoffed and muttered, “Don’t quit your day job.”

Sucker punch to the gut. Not that I was expecting her to take me aside and have a heart-to-heart with me (although that would have been nice) but the cold hearted disinterest she dismissed me with shocked me out of words. Sure, a young girl with dreams of being a writer probably didn’t even register on her radar as significant, but in my humble opinion, authors, celebrities, athletes, and anyone in the public light have a responsibility to each and every one of us mere mortals — because they are our idols. We look up to them, just as they no doubt at one point or another looked up to someone else. That is what they signed up for when they took the steps that brought them such fame. And even if they have to fake it, I believe there is no excuse whatsoever for scoffing at someone esle’s dreams just because they themselves have already achieved them and somehow believe this makes them better than everyone who hasn’t yet. Or, as I think was the case with this particular author, have been disillusioned by what they’d found beyond the rainbow.

As you can see, I feel pretty strongly about this. I was crushed by my encounter. But it also helped ground me in what little reality I am forced to endure while not writing. And as I have come to find out after I passed that much-dreamed-about finish line of getting published, there are some truths authors go to great lengths not to reveal because it tends to ruin the illusion of grandeur. I think that is a disservice to our readers.

Here are my personal truths. They are realities of my life as a person and a writer (a distinction which seems to exist without merit). I share them in good faith and welcome any comments or questions.

  1. Writing is like breathing to me. Whether I have a pen in my hand or not, there are stories constantly swirling around in my mind. I can choose to acknowledge them or not, but they don’t go away and I don’t want them to.
  2. It is possible to get burned out (I have discovered this just recently). To have so much going on for the sheer joy of getting it done that at some point you hit a brick wall and just cannot keep going. This usually necessitates a break.
  3. Writers are as much at the mercy of readers as they are publishers, editors, and reviewers. We create dreams. They are not always appreciated or understood. To a publisher, our dream is just one among hundreds, even thousands. It would be humanly impossible to devote much personal attention to any one writer. And I would be willing to bet that holds true even for most bestsellers out there.
  4. Because of the above, we have little to no leverage with publishers/editors/agents and probably could not do much to help a budding writer beyond putting a good word in. Which might or might not be heeded. This is not a reflection on the budding writer’s abilities, merely the reality of the publishing world.
  5. Writers do not make millions. Sad, but true. The vast majority probably manage royalty check to royalty check or, like me, hold down full- or part-time jobs. It’s not ideal. It’s stressful, frustrating, sometimes painful, and utterly exhausting to work at a job you might hate because it helps support your dream.
  6. Because of the above, writers also have very little spare time, which is usually devoted to things we need to do, like write, edit, promote, etc. Sleep is a good one, too. So if you ask an author to read your manuscript and they politely (or impolitely) refuse, this is probably why. There are only so many hours in the day and while the author might love to help you out, it’s just not possible to do everything at once. Believe me, I tried.
  7. Despite all of the above, writing is still the most rewarding, uplifting, joyful thing authors can do. The best ones write for themselves, because they know it’s impossible to gauge what readers like at any given time. A good book gets by on its own merits and even if it doesn’t, the satisfaction of having written it, of seeing their words on paper (or an e-Reader screen) is the reason why an author will pick up that pen again and keep right on going, despite bad reviews.

So there you have it. I know a number of people who want to get published. They are my friends and I love them dearly. I try to encourage them as much as I can because I have been in their shoes. I still am. There is no such thing as failure when you’re a writer — published or not. If one door closes, you crawl through a window, or find a ladder. The only flat-out wrong thing an author can do is give up on themselves because someone somewhere along the line told them they’re not worth their time.

Times are changing. Many publishers out there don’t require you to have an agent before they read your submission. There are plenty of avenues for authors to self-publish. It is sort of a mark of success for a publisher to say, “Yes! We want you!” but it would be a mistake to believe that is the only success you can have.

Make your own success. No one else can do it for you. Write the best you can, and then let it go out into the world. You’ve birthed a child. So what if it’s just on paper? It grows up, spits up on you, calls you names, but there are times when you snuggle up to it and sleep more soundly than any other night and you know deep inside it loves you as much as you love it, and if you want it to thrive, at some point you have to let it find its own way.

I think I’ve mixed one too many metaphors there LOL but you get my point. ;)

On Epic Fairy Tale Full Moons


Once upon a time, there was a handsome prince who screwed with the wrong Faery princess. And because he was too much of a butt hurt to let an old grudge go, he came to me. He should have known better.

See, I like numbers. And celestial events. Also magic, fairy tales, wicked, wicked bad guys, tragic heroes and the kind of heroines I would want for a best friend. But the prince didn’t know all this when he took up residence inside my cranium. Nope, all he knew was that he wanted a memoire. And a portrait. And PR.

Me? I like the number three. So I gave him three chances to redeem himself, and when he didn’t, three females to drive him insane, three nights a month to reflect on what he’d done, three hundred years to grow up and take responsibility for his actions, and one final chance to save his soul. Aren’t I a generous Faery Godmother?

When it came time to let him loose upon the world, I chose May 5th, 2012. 5+5+2+0+1+2 = 15, a number perfectly divisible by three. That it just so happened to be a full moon-and the biggest, brightest one of the year, to boot- was just a coincidence. No, really, it was. But I take it as a sign that the universe had aligned itself in favor of my poor, cursed prince. I have to say, after all I put him through he sort of deserves a royal send-off.

So here I sit today, exhausted after a late night getting him ready for his debut, and early morning when I couldn’t sleep, trying to think of something profound to say about my darling (note the sarcasm) Bastien. I keep thinking something along the lines of, “Pain heals, chicks dig scars, glory lasts forever,” but that just wouldn’t be his style. So I suppose I should just let him speak:

The first rays of sunlight turn the world gray, then warm yellow, then all the colors of the rainbow. I watch the warmth of its rays touch my human skin, breathe in deep of the morning air and feel life, glorious, invigorating life, seep into my very soul. It is day, and it is my time. Night belongs to fairy tales. Well, perhaps that would be me as well. I hear whispers of awe, sense dozens, hundreds of hungry eyes on me. They want me, one and all. The knowledge makes me chuckle. I meet each gaze in turn and smile. “Come and get me.”

Bastien, prequel to The Beast is now available at Smashwords and All Romance eBooks. Look for it on Amazon later today.

Bastien – Chapter 4

This will be the final excerpt for Bastien. To find the previous chapters, click on these: Chapter One, Chapter Two, Chapter Three. If you want to read more, look for Bastien at Smashwords.com on Saturday, May 5. I will also post a link on my website. And without further ado, here is chapter four. Enjoy! =)

Chapter Four

Louis leads the way through town. The village of Fauve is far removed from this place, yet I could easily call it home. Cobblestoned streets weave between buildings tall enough to have three rows of windows. No thatched roofs here, all are covered with sturdy shingles.

We walk at a brisk pace. There are still merchants about, finishing their final tasks of the day and closing their shops for the night. They are not welcoming of our presence, but as long as we don’t disturb them, the townsfolk are willing to tolerate us for the coin we always leave in our wake.

Louis leads us all the way to the edge of town, where the cobblestones level out into stomped dirt and the houses become smaller and older. Not far off is a Gypsy village. I can hear the drums and fiddles from here. This is as near civilization as the Gypsies are willing to come. Many still wander in the way of their people, but most have settled here, in wagons turned into shacks, built up into what might pass for an abode. Fires are lit in the distance, perhaps some sort of celebration. Of what, I don’t know. Then again, Gypsies don’t usually need a reason.

We stop before a shack consisting of four separate walls held together by rope and covered with oiled cloth. In front of the curtain which serves as a door sits a hunched woman in a cloak. An old barrel stands as her table, and on top of it is a deck of cards. Her hood is so large it covers her face. I see nothing of her except her hands, one smooth and young, the other gnarled and old.

“What is this, Louis?” I ask, unnerved by the sight of an old woman. “Have you suddenly developed a taste for the arcane?”

He laughs. “This is merely the…”

A single gnarled finger rises to point at my chest, and the air is suddenly too thick to breathe. The woman gathers her cards and places them face down on one edge of the barrel. They somehow hover nearly half over that edge without tipping over.

Adeline clutches my arm. “Bastien?” she says uncertainly. I can’t find my voice to reassure her.

“Is this part of the game?” Adrien asks.

“No,” Louis says. “Last time wasn’t… she didn’t…”

The hag slams her old hand on top of the barrel, demanding silence. With her young hand, she takes cards off the top of the deck and arranges them in a circle.

“Listen, we just want to enter,” Louis says.

The hag holds up a young finger in a staying gesture and indicates the spread with her old.

“What is she doing?” Adeline asks, half hiding behind me. Under normal circumstances I would laugh at her and extricate myself from her hold. At the moment, I am too unsettled to speak a single word. The hag pointed at me, she is looking at me. Whatever fortune she is about to divine is mine. I don’t want to see it. With everything in me I dread the first card being flipped. But for the life of me I cannot look away.

The smooth hand of youth reaches gracefully for the card farthest from her and flips it. The card says Wheel of Fortune and at its center is a golden wheel of the Zodiac, with star constellations clearly marked around it. It’s upside down.

“It would seem the odds are not in your favor,” Louis says. He sounds bored.

I dare not breathe as the withered hand reaches for the second card in the circle. Judgment. Also reversed. A set of scales tipped on one side mocks me from the makeshift table and as I am staring at it, the wheel in the first card breaks before my eyes. This is a hallucination. It must be. I am drunk, or perhaps it’s a trick of light and the wheel was never whole.

A lump forms in my throat and I cannot clear it. I choke on the next forced inhale as the third card is turned. The Hermit. Nothing more than a hooded figure, hunched the same way as this hag who presumes to know my destiny. And the scales of Justice tip the other way.

I can’t blink, or turn away. My companions are gone. I am alone in the night, the darkness drowning me in this magic. There is nothing but me, and the cards, and the hands turning them. My gaze is rapt on the next card to be turned over. The Moon. All the faces suddenly shift, moving now with a life of their own and, while the moon changes phases, the hunched figure of the hermit grows and tears at its cloak, revealing a monster underneath.

My heart races, aching in my chest, and I can hear my own breath wheeze in and out of me on a feral growl. The hag pauses with her smooth hand hovering over the fifth card. She waits as though for divine guidance, her hooded head cocking slightly to the side. She dips a slow nod and flips the card—Strength. A crimson rose blooms on it, its thorns long and needle sharp. The hag’s hand passes over the card a second time and the rose is gone. In its place stands a woman, naked as the day she was born, yet standing tall and straight, looking right at me with a challenge in her eyes. I will not yield, her eyes say, and it makes me feel weak. She makes me feel weak.

A whirlwind rises around me, so powerful I’m afraid it will lift me off my feet, and I don’t understand how the cards can be so still on that barrel, so steady, as if my future is already written in stone and it’s only my denial that tries to make me stray from the path set out before me. I fight it with all of my might. There is wilderness ahead, danger I can avoid if only I turn my feet around and go back the way I came.

The pull of destiny and my need to escape it tears me asunder, and in my mind I scream for the hag to turn the last card. Finish this—save me somehow.

She does, and everything stills once more. Breath leaves me, as desperate to escape as my own soul. The card is Death. The salvation I demanded stares at me from black holes in a bare skull. This card doesn’t move; doesn’t change. It is absolute.

The previous fervor of my heartbeat stops completely and I clutch my chest, the barrel, anything to regain some semblance of steadiness. As my heart lurches back to life, I tear my gaze away from my own demise and just catch a glint of obsidian in the hag’s eye through a hole in her hood. I find no sympathy there.

“Right,” Louis says. “This has been entertaining, but we’ve tarried long enough.” The hag turns to him as he reaches into his jacket pocket and pulls out a card of his own. Holding it up for the hag to see, he places it into the center of the barrel. Ten of Pentacles.

The hag straightens and becomes all business, pointing to each of us in turn before tapping the card on which ten silver coins glint merrily. The toll must be paid before we are allowed to pass. Each of us pays the coin she demands and only after she’s pocketed her due does she rise from her seat and pull aside the curtain door.

Louis grins. “After you,” he invites.

The women pair off with the men and enter arm in arm through the door. Adeline, who released me and took shelter in Adrien’s arms when the Death card was flipped, looks back at me before she disappears through the door. Only Louis and I are left. I hesitate before stepping through the veil. I try to catch the hag’s eye, but can no longer find it in the shadows of her hood. She is a statue, as still and uninterested as stone.

Having no other choice I step into the darkness of the shack…

… and emerge on the other side into blinding light. For a moment I can see nothing but bright colors swirling around me. I hear voices as delicate as bell chimes and music as sweet as honey mead. I am not in the Gypsy village anymore, nor any other place in existence. Before me is a dream, a fantasy given shape.

Behind me, Louis claps me on the shoulder. “My lords and ladies of the Fellowship of Depravity,” he says, “Welcome to the Faery court.”